Music resale values

54 Music priced on real sold comps. See what each is worth — loose or complete — before you buy or sell.

Updated August 2026 · prices refresh as new sales close.

Filtered: Cambridge University Press · 54 items · clear ×

Analyzing Popular Music by Allan F. Moore

Musical World of a Medieval Monk by Grier, James

Performing Menken by Renée M. Sentilles

The Motet in the Age of Du Fay by Julie E. Cumming

The Careers of British Musicians, 17501850 by Deborah Rohr

Music & poetry in the early Tudor Court by John E. Stevens

The spectral piano by Marilyn Nonken

Organising Music by Nic Beech

Debussy in proportion by Roy Howat

A short historical account of the degrees in music at Oxford and Cambridge by Charles Francis Abdy Williams

Music in Germany Since 1968 by Alastair Williams

The musical work of Nadia Boulanger by Jeanice Brooks

Political Beethoven by Nicholas Mathew

Musical Creativity In Restoration England by Rebecca Herissone

Medieval Music, Legend, and the Cult of St. Martin by Yossi Maurey

Representation in western music by Joshua S. Walden

Virtuosity and the Musical Work by Jim Samson

Reception and the classics by William Brockliss

Ancient Greek Music by Stefan Hagel

When opera meets film by Marcia J. Citron

Zeta functions of graphs by Audrey Terras

Convent Music and Politics in Eighteenth-Century Vienna by Janet K. Page

Music and Ethical Responsibility by Jeff R. Warren

Rival Sirens by Suzanne Aspden

Choral Fantasies by Ryan Minor

Form, Program, and Metaphor in the Music of Berlioz by Stephen Rodgers

Opera and Society in Italy and France from Monteverdi to Bourdieu by Victoria Johnson

Metaphors of Depth in German Musical Thought by Holly Watkins

Lure and Legacy of Music at Versailles by John Hajdu Heyer

Analyzing Schubert by Suzannah Clark

New Music at Darmstadt by Martin Iddon

Schoenberg's Twelve-Tone Music by Jack Boss

Plato on music, soul and body by Francesco Pelosi

The Ballets Russes and Beyond by Davinia Caddy

The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style by W. Dean Sutcliffe

Popular Musical Theatre in London and Berlin by Len Platt

The Early Violin and Viola by Robin Stowell

Cambridge History of Medieval Music by Mark Everist

The music of Louis Andriessen by Yayoi Uno Everett

The Rise of a Jazz Art World by Paul Lopes

The Puccini Problem by Alexandra Wilson

The musicology of record production by Simon Zagorski-Thomas

Making of Liturgy in the Ottonian Church by Henry Parkes

Rethinking Difference in Music Scholarship by Olivia Bloechl

Communication in eighteenth-century music by Danuta Mirka

Opera and Modern Spectatorship in Late Nineteenth-Century Italy by Alessandra Campana

Harmony in Haydn and Mozart by David Damschroder

Bruckner's symphonies by Julian Horton

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